The other question everybody asks is, why doesn’t she just leave? Why didn’t I walk out? I could have left any time. To me, this is the saddest and most painful question that people ask, because we victims know something you usually don’t: It’s incredibly dangerous to leave an abuser. Because the final step in the domestic violence pattern is kill her. Over 70 percent of domestic violence murders happen after the victim has ended the relationship, after she’s gotten out, because then the abuser has nothing left to lose. Other outcomes include long-term stalking, even after the abuser remarries; denial of financial resources; and manipulation of the family court system to terrify the victim and her children, who are regularly forced by family court judges to spend unsupervised time with the man who beat their mother. And still we ask, why doesn’t she just leave?”
Julianne Moore as “Famous Works of Art” by Peter Linderbergh - for Harper’s Bazaar
Seated Woman With Bent Knee by Egon Schiele, La Grande Odalisque by Ingres, Saint Praxidis by Vermeer, The Cripple by John Currin, Les danseuses by Edgar Degas, Madame X by John Singer, Girl with a Pearl Earring by Vermeer, Woman With a Fan by Modigliani, Man Crazy Nurse #3 by Richard Prince, Adele Bloch Bauer I by Gustav Klimt.